Albrecht Durerb.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | |||
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Christ before Pilate Måleriet identifieringen:: 63594 Titta min galleri i Sverige |
Christ before Pilate 1512 Engraving, 117 x 75 mm Metropolitan Museum of Art, New York Sheet No. 5 of the Engraved Passion. The false witness is pointing at Christ. The close relationship of this engraving to the Green Passion has been noted by most commentators. Nevertheless, it has recently been asserted that the Green Passion sheets may have been based on the engravings and executed by Hans von Kulmbach. This high degree of similarity of the two renderings casts great doubt on the authenticity of the Green Passion sheet.Artist:D?RER, Albrecht Title: Christ before Pilate (No. 5) Painted in 1501-1550 , German - - graphics : religious 1512_Engraving,_117_x_75_mm_Metropolitan_Museum_of_Art,_New_York_Sheet_No._5_of_the_Engraved_Passion._The_false_witness_is_pointing_at_Christ._The_close_relationship_of_this_engraving_to_the_Green_Passion_has_been_noted_by_most_commentators._Nevertheless,_it_has_recently_been_asserted_that_the_Green_Passion_sheets_may_have_been_based_on_the_engravings_and_executed_by_Hans_von_Kulmbach._This_high_degree_of_similarity_of_the_two_renderings_casts_great_doubt_on_the_authenticity_of_the_Green_Passion_sheet.Artist:D?RER,_Albrecht_Title:_Christ_before_Pilate_(No._5)___Painted_in__1501-1550___,__German__-_-_graphics__:_religious |
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Five Male Nudes Måleriet identifieringen:: 63595 Titta min galleri i Sverige |
Five Male Nudes 185 x 195 mm Staatliche Museen, Berlin This drawing, in woodcut style, may have been a study for a Resurrection.Artist:D?RER, Albrecht Title: Five Male Nudes Painted in 1501-1550 , German - - graphics : study 185_x_195_mm_Staatliche_Museen,_Berlin_This_drawing,_in_woodcut_style,_may_have_been_a_study_for_a_Resurrection.Artist:D?RER,_Albrecht_Title:_Five_Male_Nudes___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
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Sudarium Displayed by Two Angels Måleriet identifieringen:: 63596 Titta min galleri i Sverige |
Sudarium Displayed by Two Angels 1513 Engraving, 102 x 140 mm Metropolitan Museum of Art, New York D?rer mentions this engraving in his diary of the journey to the Netherlands on two occasions, August 19 and August 20, 1520, when he gave copies away as presents. He refers to it as "Veronicam." It is one of the very few D?rer engravings in horizontal format. It is the crowning representation of the Passion series. The new face of Christ, created by D?rer, appears here in its purest form. The features of the Saviour bear an unmistakable resemblance to D?rer's own. Definitely heraldic in character, the angels are balanced with almost perfect symmetry, yet subtly differentiated in pose and gesture. The Holy Face fastens its eyes on the beholder with hypnotic intensity. The likeness of Christ served as the basis for a large woodcut sometimes attributed to Hans Sebald Beham.Artist:D?RER, Albrecht Title: Sudarium Displayed by Two Angels Painted in 1501-1550 , German - - graphics : religious 1513_Engraving,_102_x_140_mm_Metropolitan_Museum_of_Art,_New_York_D?rer_mentions_this_engraving_in_his_diary_of_the_journey_to_the_Netherlands_on_two_occasions,_August_19_and_August_20,_1520,_when_he_gave_copies_away_as_presents._He_refers_to_it_as_"Veronicam."_It_is_one_of_the_very_few_D?rer_engravings_in_horizontal_format._It_is_the_crowning_representation_of_the_Passion_series._The_new_face_of_Christ,_created_by_D?rer,_appears_here_in_its_purest_form._The_features_of_the_Saviour_bear_an_unmistakable_resemblance_to_D?rer's_own._Definitely_heraldic_in_character,_the_angels_are_balanced_with_almost_perfect_symmetry,_yet_subtly_differentiated_in_pose_and_gesture._The_Holy_Face_fastens_its_eyes_on_the_beholder_with_hypnotic_intensity._The_likeness_of_Christ_served_as_the_basis_for_a_large_woodcut_sometimes_attributed_to_Hans_Sebald_Beham.Artist:D?RER,_Albrecht_Title:_Sudarium_Displayed_by_Two_Angels___Painted_in__1501-1550___,__German__-_-_graphics__:_religious |
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Portrait of Erasmus Måleriet identifieringen:: 63597 Titta min galleri i Sverige |
Portrait of Erasmus 1520 Charcoal on paper, 37 x 27 cm Mus?e du Louvre, Paris In Brussels D?rer met Erasmus, the humanist scholar, and sketched his portrait which six years later he would use as the basis for an engraving. Born in Rotterdam in 1469, Desiderius Erasmus was the greatest European scholar of the 16th century. Using the philological methods pioneered by Italian humanists, he helped lay the groundwork for the historical-critical study of the past, especially in his studies of the Greek New Testament and the Church Fathers. His educational writings contributed to the replacement of the older scholastic curriculum by the new humanist emphasis on the classics. By criticizing ecclesiastical abuses, while pointing to a better age in the distant past, he encouraged the growing urge for reform, which found expression both in the Protestant Reformation and in the Catholic Counter-Reformation. Finally, his independent stance in an age of fierce confessional controversy - rejecting both Luther's doctrine of predestination and the powers that were claimed for the papacy - made him a target of suspicion for loyal partisans on both sides and a beacon for those who valued liberty more than orthodoxy.Artist:D?RER, Albrecht Title: Portrait of Erasmus Painted in 1501-1550 , German - - graphics : portrait 1520_Charcoal_on_paper,_37_x_27_cm_Mus?e_du_Louvre,_Paris_In_Brussels_D?rer_met_Erasmus,_the_humanist_scholar,_and_sketched_his_portrait_which_six_years_later_he_would_use_as_the_basis_for_an_engraving._Born_in_Rotterdam_in_1469,_Desiderius_Erasmus_was_the_greatest_European_scholar_of_the_16th_century._Using_the_philological_methods_pioneered_by_Italian_humanists,_he_helped_lay_the_groundwork_for_the_historical-critical_study_of_the_past,_especially_in_his_studies_of_the_Greek_New_Testament_and_the_Church_Fathers._His_educational_writings_contributed_to_the_replacement_of_the_older_scholastic_curriculum_by_the_new_humanist_emphasis_on_the_classics._By_criticizing_ecclesiastical_abuses,_while_pointing_to_a_better_age_in_the_distant_past,_he_encouraged_the_growing_urge_for_reform,_which_found_expression_both_in_the_Protestant_Reformation_and_in_the_Catholic_Counter-Reformation._Finally,_his_independent_stance_in_an_age_of_fierce_confessional_controversy_-_rejecting_both_Luther's_doctrine_of_predestination_and_the_powers_that_were_claimed_for_the_papacy_-_made_him_a_target_of_suspicion_for_loyal_partisans_on_both_sides_and_a_beacon_for_those_who_valued_liberty_more_than_orthodoxy.Artist:D?RER,_Albrecht_Title:_Portrait_of_Erasmus___Painted_in__1501-1550___,__German__-_-_graphics__:_portrait |
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Head of St Mark Måleriet identifieringen:: 63598 Titta min galleri i Sverige |
Head of St Mark 1526 Chalk with white highlights, 373 x 265 mm Staatliche Museen, Berlin This is a study for the Apostle in the great Munich painting. In its expression of spiritual excitement the head in this drawing is decidedly superior to the one in the painting. Tossing briskly, the locks of hair continue the theme of movement. At the same time, the natural appearance of the hair seems to have been oddly neglected in the rendering ("pretzel locks"). Drawings of this type, in very large format and only superficially finished, do not occur in the earlier period.Artist:D?RER, Albrecht Title: Head of St Mark Painted in 1501-1550 , German - - graphics : study 1526_Chalk_with_white_highlights,_373_x_265_mm_Staatliche_Museen,_Berlin_This_is_a_study_for_the_Apostle_in_the_great_Munich_painting._In_its_expression_of_spiritual_excitement_the_head_in_this_drawing_is_decidedly_superior_to_the_one_in_the_painting._Tossing_briskly,_the_locks_of_hair_continue_the_theme_of_movement._At_the_same_time,_the_natural_appearance_of_the_hair_seems_to_have_been_oddly_neglected_in_the_rendering_("pretzel_locks")._Drawings_of_this_type,_in_very_large_format_and_only_superficially_finished,_do_not_occur_in_the_earlier_period.Artist:D?RER,_Albrecht_Title:_Head_of_St_Mark___Painted_in__1501-1550___,__German__-_-_graphics__:_study |
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| Föregående Konstnär Nästa Konstnär | ||||||||||
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| Albrecht Durer | ||||||||||
| b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg | ||||||||||
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